Havin finally seen "It Happened One Night" with Clark Gable, i see where the romantic comedy formula comes from, and it was well done here in its innovation.
But after that, yes, it is a limited genre, as is Westerns. The ones that stand out do so either due to A) Great, great acting & plot or B) A good twist (ie, based on a Kurosawa samurai tale like "Yojimbo/Fistfull of Dollars", or "Seven Samurai/Magnificent Seven", etc) or an anti-hero piece like Unforgiven, The Good, The Bad & The Ugly, etc.
So, a few shine. "As good as it gets" comes to mind for me 'cause the acting was just amazin. Yes, "What Women Want" also had Helen Hunt, who I like, and William Wal...Mel Gibson with his cool ass Sinatra dance number. That's another good trick used in that early flick with "Gone with the Wind"'s Clark Gable: get a good male actor that guys will watch to lure em in.
Inevitably, the plot'll be formulaic, 2 people will meet by accident, prolly not get along, end up together & do so forever or end in tragedy, the latter of which interests me more, but often tries to hard for the audience's tears. Again, smart variations like "High Fidelity" & "Jerry Maguire" can pull this off & the viewer wont be as aware if the writing & performances are good.
I guess im sayin the reason i dont go for romantic comedies is that this usually isnt the case. Often, the movie will mildly entertain me at some point down its predictable road, but nothin memorable will happen, just the same effect many of my westerns would have on most folks.